Showbiz Circle

The entertainment industry is very very weird.

It is also riddled with coincidences and peculiarities.

Here are a few of the M-Z ones:

 

M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z

 

 

“It's funny how the colours of the real world only seem really real

when you viddy them on the screen.”
                                                            – Alex, A Clockwork Orange

 

 

One of the (“when shall we three meet again?”) witches in ‘Macbeth’ (1948) is played by Brainerd Duffield. Technically a warlock. As he is a man.

 

What was to be called ‘The Madness of King George III’ became ‘The Madness of King George’ (1994), so as not to alienate or confuse the American audiences into thinking it was the third film in a trilogy.

 

Malcolm, of the TV series ‘Malcolm In The Middle’, is in the Krelboyne class for gifted students at school. Seymour Krelboyne was the name of the nerdy hero in ‘The Little Shop Of Horrors’ (1960). (In the 1986 Rick Moranis remake it became Krelborn. So we’ll ignore that…)

 

‘Mallrats’ (1995), were it a town, would be twinned with ‘Dazed And Confused’ (1993). The two films share producers (Jim and Sean Daniels), actors (Joey Adams and Ben Affleck), the casting director (Don Phillips), and distributor (Gramercy). And twin brothers; Jeremy (T.S.) London was in ‘Mallrats’, Jason (Pink) London in 'Dazed…'.

 

Oh, and it’s NOT a sailboat in the Magic Eye picture. It’s a series of geometric shapes. (Which wouldn’t have been as funny…)

 

At the time of filming for ‘The Mambo Kings’ (1992), Antonio Banderas couldn't speak English and his co-star Armand Assante couldn't speak Spanish; both of them learned and performed their foreign lines phonetically.

 

Notable as being exceptionally peculiar, and David Bowie’s modelling fantastic hair, ‘The Man Who Fell to Earth’ (1976) is also remembered as containing a power-boat jump which broke the world record for distance. (The previous record had been set during the making of ‘Live and Let Die’ (1973). Well, it’s not all work work work...)

 

That Jack Nicholson’s tie disappears during his speech in ‘Mars Attacks’ (1996) is intentional – Burton intended it as a sneaky laugh at the way the actor’s tie disappears in the final courtroom scenes of ‘A Few Good Men’ (1992).

 

Twatting about in ‘The Mask (1994), The Mask tells Lt. Kellaway, played by Peter Riegert, that an image found in the park is “a picture of your wife”. It’s a shot of Marion Wormer from ‘Animal House’ (1978), who did indeed play opposite Riegert in the movie.

 

In ‘Matilda’ (1996), the portrait hanging in the Trunchbull-acquired home of Miss Honey’s father Magnus, is of Roald Dahl, the book’s author.

 

The M-16 fired in the all-action-puppet-freakery ‘Meet The Feebles’ (1989) is firing live ammunition. This is because the director, Peter Jackson, found it easier to get hold of than blanks. (They were real swords in ‘The Lord Of The Rings’ too. And arrows. It wasn’t a real – ‘classically trained at the RSC dahling’ – Balrog, though…)

 

At the end of ‘Men In Black’ (1997), K arrests the alien flying the alien citing his violation of the ‘Tycho Treaty’; in ‘2001: A Space Odyssey’ (1968), Tycho was where the moon monolith was found.

 

 

The director of ‘Mr. Sardonicus’ (1961) promoted his film by telling audiences he had filmed two different endings for it, and had cinema-goers issued with fluorescent cards so as they could decide on the anti-hero’s fate. They always voted to have him killed. (Which was both just – in context – and lucky. As William Castle had only filmed that one ending…)

 

In one scene in the CHILDREN’S FILM ‘Monsters Inc.’ (2001) Randall Boggs threatens a co-worker with a woodchipper fate. Boggs is voiced by Steve Buscemi, whose character was last seen in ‘Fargo’ (1996), murdered by his partner and stuffed into just such a machine. Far nicer was ‘Dr Quinn, Medicine Woman.’ Which didn’t star Steve Buscemi. But did feature lead characters called Mike and Sully.

 

In ‘Moonraker’ (1979), the musical sequence which opens the electronic lock on the door to Drax's Venice laboratory is the hailing tune from ‘Close Encounters of the Third Kind’ (1977).

 

‘Mosquito Coast’ (1986) features River Phoenix as Harrison Ford’s son – in a role originally intended for Wil Wheaton (Gordy to his Chris in ‘Stand By Me’) – the family resemblance was strong enough, three years later, to have River play the young (scouting) Ford in ‘Indiana Jones and the Last Crusade’ (1989).

 

Richard Roxbergh’s character in ‘Moulin Rouge!’ (2001), the dastardly Duke, finances the ‘Children Of The Revolution’ show written by Christian. In 1996, Richard Roxbergh was in a film entitled ‘Children Of The Revolution’.

 

The Hormel Foods Corporation, who give the world its Spam (spam spam spam spam spam spam spam), sued the makers of ‘Muppet Treasure Island’ (1996) for naming the film’s ugly villain ‘Spa’am’. As it maligned their luncheon meat; Hormel claimed that the high priest boar had an ‘unhygienic and immoral image’ which could ‘damage the reputation of its product’. Jim Henson Productions had argued – amongst other lines of defence – that Hormel should “lighten up.” Their suit was defeated on September 22, 1995. Yet, strangely, Hormel have never troubled Monty Python for their onscreen canned-ham re-appropriation. (It seems that Valkyrie song boosted sales…)

 

The ever-thoughtful set-designers on the musical ‘My Fair Lady’ (1964) had ladies restrooms custom-built for their actresses, with doors and cubicles of such a width that they would be able to comfortably enter without having to remove their extra-wide hats.

 

‘Buffy’ pairing Willow (Alyson Hannigan) and Oz (Seth Green) also played boyfriend & girlfriend in the boggling-horrendous Dan Akroyd film, ‘My Stepmother Is An Alien’ (1998). (N.B. If you want to remember Seth Green as a man of infinite cool, watch ‘Austin Powers 2’. Or even ‘Josie & The Pussycats’. Do NOT go near this. It will warp you…)

 

Everyone has to have one – a favourite Russell Crowe movie. Me? I’ve gone for one that also gets the prize of best ice-hockey movie too. Yup, ‘Mystery Alaska’ (1999) is greater’n anything featuring a Mighty Duck. It’s also deliberately funny. In the third period of the Rangers game, a crowd-member can be seen holding up a large yellow sign which reads “Hey Skank, I'm Pregnant!”

 

The bowling ball wielded by Janeane Garafalo in ‘Mystery Men’ (1999) was not custom made for the film. The manufacturer had made the skull ball as part of their ‘Super Fun Ball’ line.

 

 

The blood spattering from the recently deceased in ‘Night Of The Living Dead’ (1968) is actually chocolate syrup. As it was in ‘Psycho’ (1960). And ‘Raging Bull’ (1980). (And hundreds of other black and white films, no doubt. Ketchup just doesn’t have the right consistency…)

 

As Hugh Grant rushes his missus to the hospital in ‘Nine Months’ (1995), they pass a cinema showing ‘Home Alone VII’, the seventh sequel to the 1990 cult-Culkin original. Which would be bitchy and cruel, were Chris Columbus not the director of both movies.

 

‘1984’ (1984) was note only filmed in 1984, but in real time, according to the dates in Orwell’s book. Apparently. So as when you see Winston (John Hurt) subversively writing in his diary on the 4th of April, 1984, it actually was the 4th of April, 1984.

 

Director Richard Donner claims that many parents, having watched ‘The Omen’ (1976), went home and shaved their children’s heads, looking for a ‘666’ birthmark. None, however, had cause to complain about poor piscine treatment. In the scene where the fishbowl falls to the floor, dead sardines were painted orange, and substituted for living goldfish. The director was loath to make a fish snuff movie, refusing to kill any creature for the sake of a shot.

 

‘One Hundred and One Dalmatians’ (1961) features the dogs from ‘Lady And The Tramp’ (1955), in an alleyway in the starlight barking scene.

Also. Someone (patient & exceedingly driven) counted, frame-by-frame, all the black spots in the 1961 version of the movie, and reached the total of 6,469,952. People amaze me.

 

The following movies are “EPICS” available to rent, from the video-store in ‘Orgazmo’ (1997); ‘Birth Of Jesus’, ‘Jesus Of Nazareth’, ‘Jesus The Healer’, ‘Jesus Of Nazareth (again)’, ‘Jesus Scissorhands’, ‘Pulp Jesus’, ‘The Good, The Bad, Jesus’, and ‘Raging Jesus’.

 

The 1998 remake of ‘The Parent Trap’ (1961) included a cameo appearance by Joanna Barnes. In the original, she had played the father’s conniving fiancée – in the re-make, she played this character’s mother.

 

In ‘The People Vs. Larry Flynt’ (1996), Woody Harrelson takes the title role and his brother Brett plays Larry’s brother Jimmy.

 

In ‘Pet Sematary’ (1989), the role of Rachael's dying sister, Zelda, was taken by a man. Andrew Hubatsek was just skinny enough to play the part as required. Apparently, IN HOLLYWOOD, there was a dearth of emaciated women available for acting roles.

 

‘The Pillow Book’ (1996) is just one of many films in which Ewan McGregor is obliged – for reasons of artistic integrity and plot development – to flash his bits at the camera. There’s also ‘What The Butler Saw’ (1992), ‘Scarlet And Black’ (1993), ‘Trainspotting’ (1996), ‘Velvet Goldmine’ (1998)… amongst others. “My cock has been out in so many films now,” says the boy, “that I might as well have it written into my contract: 'It is imperative that Ewan gets his knob out at some stage in the proceedings.' I do get it out willy-nilly, as it were. But I don't have a problem with getting my spuds out for the camera. If that's what it takes to get people into the cinema, then that's all the better.” Sadly (?), it was only mentioned in ‘Moulin Rouge!’ (2001) by Satine, and not seen. (He’s quite unruffle-able about all this. “If you were to drop your pants in the office or wherever you work, people would talk about it till the end of time. So I understand where it comes from. But I’ve never done it just to show my cock – it has always been part of the story. So I don’t worry about it at all.”) The only other ‘serious actor’ (ie one not appearing in ‘Farm Studs IV’) who’s similarly unabashed is Alan Bates; ‘Georgy Girl’ (1966), ‘King of Hearts’ (1966), ‘The Fixer’ (1968), wrestling Oliver Reed naked by the fireside in ‘Women In Love’ (1969).

 

Joan Allen and Tobey Maguire play mother and son in both ‘Pleasantville’ (1998) and ‘The Ice Storm’ (1997).

 

The names of aristocrats played by Armstrong & Miller in ‘Plunkett & Macleane’ (1999) were garnered two members of Arsenal’s 1980’s/90’s ‘back five’; Dixon and Winterburn. The film also stars Noel Fielding. But his character is didactically named ‘Brothel Gent’. Which would not refer to any member of Arsenal’s ‘back five’.

 

Since ‘Psycho’ (1960), Janet Leigh took baths wherever she could, and only showered where there was NO alterative, and she could secure all doors and windows. She wasn’t the only one similarly paranoid.  After ‘Psycho’ was released, Alfred Hitchcock received an angry letter from a father whose daughter, having seen ‘Diabolique’ (1954), refused to have baths, and was now extremely reluctant to shower. Hitchcock sent a note back saying simply ‘Send her to the dry cleaners’.

 

 

In the scene-by-scene-but-this-time-in-colour-so-it-must-be-good remake of ‘Psycho’ (1998), director Gus Van Sant could have come unstuck on the Hitchcock cameo appearance. To emulate or not to emulate? Given the obsessively faithful cover version standards Van Sant was sticking to – one door opens without a key in the remake because it did so in the original – it’s unsurprising that he chose to feature a cameo appearance of his own, talking with a Hitchcock lookalike. (Perhaps more surprising is that the film features a kitchen knife credited as belonging to John Woo.)

 

This was the second Alfred Hitchcock remake of 1998 to star Viggo Mortenson. In ‘A Perfect Murder’ (1998) – a re-jigging of ‘Dial M For Murder’ (1954) with Gwyneth Paltrow (pshaw) instead of Grace Kelly – he is also the female protagonist’s lover. And begins both films in bed. And is criminally involved in $400,000 of dirty money.

 

Somewhat disturbingly worryingly, the girlfriend/boyfriend couple Janie and Jamie in ‘Pump Up The Volume’ (1990) were played by cousins, Lala Sloatman and Ahmet Zappa.

 

In 1982, Larry Cohen made a horror film about a giant flying lizard plaguing New York. Called ‘Q’. The explanation of the back of the video box reads: “Its name is Quetzalcoatl, a dragon-like Aztec god that is summoned to modern day Manhattan by gory human sacrifices. But just call it 'Q,' because that is all you'll have time to say before it tears you apart.” Mmm-hmm? You called the film ‘Q’ – rather than ‘Quetzalcoatl’ – not for reasons of box office sales (“Two for Get-ze-coat-on please”), but for plot? Really? So why was it known as ‘The Winged Serpent’ outside of America? Were they worried that, despite the very obvious death-by-flying-lizard theme to the film – clearly depicted on posters and video art – a European audience would think it an offshoot Bond movie?

 

Working on a piffling budget, the makers of ‘Queen of the Jungle’ (1935) used stock footage from silent serial ‘Jungle Goddess’ (1922) wherever they could. And also borrowed bits of the latter’s storyline. The editing is not quite seamless. Actors used new dramatic techniques and were made-up differently in the 1930’s. That the 1922 silent footage had been printed and projected at an unusually fast sound speed did not help either.

 

In the Well of Souls scene in ‘Raiders Of The Lost Ark’ (1981), hieroglyphs on the walls include C3-PO and R2D2, while the multitude of snakes includes several lengths of hose-pipe (to boost serpentine numbers). The film also provides two death scenes for the British wrestler Pat 'Bomber' Roach. As the imposing Sherpa in the Nepalese bar, his first ‘exit’ is due to fire; the second occurs when his German mechanic character is diced by the plane's propeller.

 

The scene in  ‘Rain Man’ (1988) where Dustin Hoffman’s character says he’ll only fly on Qantas because they’ve never lost a plane is cut from the version of the film shown on every major airline… except Qantas.

 

Nicholas Cage’s character of H.I. in ‘Raising Arizona’ (1987) on occasion wears a Hudsucker Industries uniform – this is the title of the company in (the clue’s in the title) ‘The Hudsucker Proxy’ (1994). The Coen brothers, who were behind both films, evidently think ahead. 

 

Rodents were not intended to feature in ‘The Rats Are Coming! The Werewolves Are Here!’ (1972). The film was originally titled ‘The Curse of the Full Moon’, and gave its central characters only one set of evil animals to deal with. Andy Milligan, the film’s writer and director was persuaded by his producer (William Mishkin) that a running time of 72 minutes was too short and that extra footage should be added. So they tacked on a rat-infestation sub-plot. Because killer-rats were then all the rage – ‘Willard’ (1971) was raking it in at the box office, its sequel ‘Ben’ was underway – Milligan decided to chuck in 20 minutes of man-eating rats. Those sequences, unlike the lupine ones which were shot in England, were filmed in Milligan’s hometown on Staten Island. Who must have been thrilled. As the rats proved quite hard to get rid of, thereafter. Milligan ended up offering a free live rat to cinema-goers. In promotion for a film about deadly killer flesh-eating rats. (The Monty Python people, who gave away a free coconut to American viewers of the ‘Holy Grail’ (1975), had a much sounder grasp of the way to tickle the public’s fancy.)

 

The knife fight in ‘Rebel Without A Cause’ (1955) used real switchblades – for protection, Jim (James Dean) and Buzz (Corey Allen), wore chain-mail (!) under their vests.

 

When Disney recalled all home video copies of  ‘The Rescuers’ (1977) in 1999, their reasoning was there for all freeze-frame manipulators to see. There actually was a topless woman clearly visible within the film. Albeit in only two (non-consecutive) frames. Around 38 minutes in to the high-octane mouse adventure, Bianca & Bernard fly past a building on an albatross – in one of the building’s windows in the offending image. Disney believe it was added during the post-production process, but that the lady had been there even in the theatrical release.

 

Tim Roth insisted that his dialect coach play the lady shot by Mr. Orange in ‘Reservoir Dogs’ (1992). In revenge for her being so hard on him. (N.B. Blanks and blood bags were used.)

 

One of the Ewok songs in ‘Return of the Jedi’ (1983) sounds like ‘Det luktar flingor har’, Swedish for ‘It smells of cereal here’. (N.B. I’ve been to the Giant Redwood Forests which doubled for Endor. And it doesn’t. But then I don’t have the olfactory system of an Ewok.)

 

 

Kevin Costner had apparently wanted to use a proper British accent for his title role in ‘Robin Hood: Prince of Thieves’ (1991) but had been dissuaded from it by the director, Kevin Reynolds, on the grounds that he sounded like a twat.

 

The crew for ‘The Rocky Horror Picture Show’ (1975) had an Easter Egg hunt on-set on one day of filming, but they weren’t all found… three can be seen in the film: there’s one lurking under Frank's throne, one instead of a light in the main room, and one as the shivering group goes up in the elevator to the lab.

 Also; while Susan Sarandon, Tim Curry and Meatloaf may be the only cast members you non-‘Crystal Maze’ fans have kept up with, Barry Bostwick (aka Brad Majors) is currently to be found as the Mayor in ‘Spin City’.

 

Joss Whedon – creator of ‘Buffy’ and the spin-off series ‘Angel’ – cut his teeth in the industry writing episodes for ‘Roseanne’. Which also featured Glenn Quinn, as Becky’s Mark. Later to pop up as Doyle. (This actor is ACTUALLY Irish. Honest. Really.)

 

In ‘Rosemary’s Baby’ (1968), Mia Farrow exclaims to Angela Dorian: “I thought you were Victoria Vetri, the actress.” Terry’s response is: “Everyone says that, but I don't see the resemblance.” Victoria Vetri is Angela Dorian's real name.

 

Both ‘Runaway Bride’ (1999) and ‘The Blues Brothers’ (1980) feature a beauty parlour with the snappy moniker of Curl Up And Dye. Only the former film, however, feature three professionally shot wedding videos, which make use of perfectly positioned multiple cameras and tracking shots. The picture isn’t wobbly, or poorly lit, or interrupted by someone coughing. Indeed, on the second wedding, as Julia Roberts high-tails it from the church, one of the wedding video-makers had the foresight to get a behind shot of her running down the aisle, as well as shot-from-her-behind footage of a dragged-along page-boy clinging to her dress. Excellent work for a small-town operation…

 

The ZIP code for the Massachusetts home of Sabrina The Teenage Witch is 01970; this is the ZIP code for the Witch-trials town of Salem, Massachusetts.

 

In ‘Say Anything’ (1989), John Cusack’s character drives past a cinema that’s showing ‘Tapeheads’ (1988), a movie starring one John Cusack.

 

Filming ‘Schindler’s List’ (1993), director Steven Spielberg had hoped to be able to film inside Auschwitz. On being refused permission, a mirror image concentration camp set was built on the other side of the gates.

 

‘Sesame Street’ was banned by the Mississippi State Commission for Educational TV – a decision reversed in 1970 – because they disapproved of the multi-racial neighbourhood which acted as the show’s focus.

 

In the film ‘Sesame Street Presents Follow That Bird’ (1985) – in which, if memory serves, Big Bird is dyed a fetching shade of blue (AND DOES NOT GO GREEN) – we get to see two of his muppet cohorts car-numberplates; the Count's reads “1234567890”, while Oscar's is a simple “SCRAM”.

 

‘The Shawshank Redemption’ (1994) features Gil Bellows as Thomas (Tommy) Williams, Andy’s protégée. In the ever-more meandering TV series ‘Ally McBeal’, the actor plays the part of William (Billy) Thomas.

 

‘The Sharktank Redemption’ (2000) – a film which presumably HAD to be made once someone had drunkenly thought-up the title – takes the premise of King’s prison movie, and transposes it to life in the Hollywood system. Its lead character, Fred Redding, is played by Alfonso Freedman, whose father played Red in ‘The Shawshank Redemption’ (1994). A photograph of Alfonso himself is used on Morgan Freeman’s parole forms to show Red’s younger self.

 

The teen-fairytale-by-numbers (‘ugly duckling turns swan and so love blooms…’) ‘She’s All That’ (1999) gives Rachel Leigh Cook’s character the name of Laney Boggs, as homage to her Winona Ryder features. In ‘Edward Scissorhands’ (1990), Ryder played Kim Boggs, while in ‘Reality Bites’ (1994) she was Laney Pierce.

The film, which starrs Sarah Michelle Gellar’s current beau, Freddie Prinze Jnr. was filmed at the same teaching establishment which doubles for Sunnydale High School. As well as featuring Clea DuVall as a rich clown-faced bitch – an actress who guested in the first series of ‘Buffy’ as the invisible girl (who you did actually see in flash-back scenes) – the film also includes the world’s briefest cafeteria cameo, courtesy of a pizza-discarding Buffy Summers.

(All of which combines to create the cheerfully disconcerting impression that ‘She’s All That’ could easily have had a vampiric twist, had its lead characters only visited the library occasionally. Stephen King is noted for this kind of character cameos – the destruction of ‘The Shining’s Overlook Hotel is mentioned in ‘Misery’, for example, while ‘Stand By Me’s Terry DuChamp is revealed in ‘Carrie’ to have become a petrol-pump attendant… All of which serves to reinforce the reality of such people and places…)   

 

To show Torrance gradually slipping into dementia in ‘The Shining’ (1980) Stanley Kubrick had each page of the character’s book contain hundreds of individually typed sentences, “All work and no play makes Jack a dull boy”. For the Italian version of the film, Kubrick used the proverb “Il mattino ha l' oro in bocca”, which translates as “He who wakes up early meets a golden day”, while for the German version, it was “Was Du heute kannst besorgen, das verschiebe nicht auf Morgen”, which translates as “Don't postpone something that can be done today”. Again, individually typed. For method madness amongst his crew…

 

Dame Judi Dench and Tim Piggott-Smith have been entertaining themselves over the last few years (decades) by hiding a black glove on each other's film or theatre sets. Having discovered this, Kevin Spacey had the glove sent out to Newfoundland where they were filming ‘The Shipping News’ (2001). And then bided his time. Until Judi came to the scene where she pees on her dead brother's ashes (um…); her wily co-star was hidden beneath the outhouse with the glove on a stick, waiting for the Oscar-winning & highly respected actress to lift her skirts before moving in. “I felt something tickling my bottom,” Judi told Premiere. “Kevin says I jumped into the air screaming. It took me quite a long time to recover and it will take even longer to plan the proper revenge.”

 

Paul Verhoeven, the man responsible for seamy-steamy (?) ‘Showgirls’ (1995), was the first director to attend the Golden Raspberry Awards to collect his RAZZIE statuettes. In 1995, at the 16th Annual Award Ceremony, ‘Showgirls’ won  7 of the 11 categories in which the movie was nominated, including Most Insulting Film, Worst Actress and Worst Original Song.

 

The ogre’s accent in ‘Shrek’ (2001) is supposed to be Scottish. Originally, Mike Myers played it ‘straight’ (i.e. in his normal speaking voice) but decided – at considerable cost ($4million!) to the film-makers – this accent would better suit the character. He used to live in Britain, and so has no real excuse.

 

 

Harry Shearer, Spinal Tap (1984)’s Derek Smalls – he of the handlebar moustache & jazz odyssey – does several of the voices on ‘The Simpsons’, including Monty Burns, Smithers, Ned Flanders, Otto the Bus Driver, Kent Brockman, Lenny, Dr. Hibbert, McBain, Rev. Lovejoy and Principal Skinner. (He’s also done such ‘guest-stars’ as George Bush, Richard Nixon and, um, Derek Smalls, amongst others.)

 

The downpour Gene Kelly dances through in ‘Singin’ In The Rain’ (1952) was a combination of water and milk, which made his suit shrink.

 

Tim Burton gets to play a crazy-haired video director in ‘Singles’ (1992). Possibly utilising Stanislavskian techniques to centre his character.

 

Just as the colour orange precurses violence in ‘The Godfather’ trilogy, red in ‘The Sixth Sense’ (1999) points to ghostly activity.

 

The man behind the voice of the evil computer in Woody Allen’s ‘Sleeper’ (1973) is Douglas Rain, who played  HAL in Stanley Kubrick’s  ‘2001: A Space Odyssey’ (1968).

 

Throughout the director’s commentary on the DVD of ‘Sleepy Hollow’ (1999), Tim Burton is unable to restrain himself from gleefully yelling ‘WIG!’ whenever Jeffrey Jones looms onscreen.  The actor, who I will always cherish in the role of Ferris Bueller’s headmaster, has on a mastery of woollen curls throughout the majority of the film, stream-roller flat at the top and jowl-enhancingly bushy at the sides. ‘Oooh, letting the wig do the acting there’ is one particularly excited comment from Burton.

 

I know some people watched ‘Zoe Duncan Jack and Jane’, because they made at least two serieses. I just don’t know anyone who’ll admit to it. Which means Michael Rosenbaum’s shaven-headed transformation into Lex Luthor on ‘Smallville’ is only entertaining to me, and me alone. So imagine my solitary joy when Azura Skye guested on the show. Newly blond, but if I could spot Jack without hair, I can see through Jane’s cunning dye-ploy. Though the hair excitement in itself wasn’t enough to assuage the Creep Factor, mind, of having actors last seen playing twins now acting as a crush and his obsessive adorer.

 

Dan Akroyd’s character in ‘Sneakers’ (1992) is usually referred to as ‘Mother’, although his name is actually Carl Arbogast. This was the name of the detective who tracks the runaway Janet Leigh to the Bates Motel in ‘Psycho’ (1960), and who gets killed by Norman’s ‘mother’.

 

Filming ‘Some Like It Hot’ (1959), Marilyn Monroe required 47 takes to correctly say the line “It's me, Sugar” – she could only manage “Sugar, it's me” or “It's Sugar, me”. After the 30th take, the director Billy Wilder had the line written on a blackboard. Another scene, which required Monroe to rummage through some drawers and say “Where's the bourbon?” involved 40 takes of her asking “Where's the whiskey?”, “Where's the bottle?”, or “Where's the bonbon?” Exasperated, Wilder pasted the correct line in one of the drawers, only to find when filming resumed that Marilyn was confused about which drawer she should open. So Wilder pasted the line in each. And the scene was finished on the 59th take.

 

The Madame Tussauds model of Napoleon is a double of Star Trek’s Q.

 

Cheryl Gates McFadden, who plays Beverly Crusher on ‘Star Trek: The Next Generation’, and is the only actor on that show to have a weirder name than her character (Brent Spiner comes in a close second), has long been a part of the entertainment world. Before she emerged as a full-time actress, she went under her first name of Cheryl, and did the choreography on a number of films, including ‘Labyrinth’ (1986). 

 

Previewing footage from ‘Star Trek VI: The Undiscovered Country’ (1991), William Shatner became astonishingly distressed when he saw how wide his bottom looked in a scene where he walked across a bridge, away from the camera. The version of this scene included in the finished film shows an airbrushed slim-line posterior.

 

There are indeed 3 E.T. aliens – as inter-galactic ambassadors – in the senate rotunda scene for ‘Star Wars: The Phantom Menace’ (1999). They can be found in the lower left-corner of the screen, in one of the bowl-shaped seats, just after Queen Amidala calls for the vote of no confidence. (The ‘Pause’ button should prove invaluable in helping you find them…) Another reward for eagle-eyed viewers is a ‘2001: A Space Odyssey’ (1968) pod from the Discovery in Watto’s junkyard.

While we had fairly gross Chinese caricatures, the German-dubbed version of the film gives a French accent to the collaborating Trade Federation leaders.

 

One of the hospital scenes in ‘South Park: Bigger Longer And Uncut’ (1999) shows the wall-chart  itinerary for Dr. No – his duties include a memo “Kill Bond”.

 

Robert DeNiro’s mohican in ‘Taxi Driver’ (1976) is a wig. (You will have to imagine Tim Burton doing the excitable commentary yourselves…) Dick Smith sprayed chopped-up hair onto a plastic cap to make it look shaven. Damn good job he did too…

 

Larissa Oleynik and Joseph Gordon Levitt, who play Bianca and Cameron in ‘10 Things I Hate About You’ also played boyfriend & girlfriend (Tommy & Alissa) in ‘3rd Rock From The Sun’.

 

Michael Biehn gets himself bitten on the hand in ‘Terminator’ (1984), as he does in two other James Cameron films – ‘Aliens’ (1986) and ‘The Abyss’ (1989). Cameron seems to find these links irresistible – in an early draft script for ‘Aliens’, Bishop (the android) claimed to have been manufactured by Cyberdene.

 

The hospital scenes for ‘Terminator 2’ (1991) – as well as several other interior shots – were filmed at the Caleview (?can’t-read-my-own-writing) Terrace Medical Center. A site used by hundreds of other TV & film crews; the once-used hospital building was closed due to seismic damage (but is evidently only deemed unsafe for a permanent medical staff). The production crew for T2 dressed the exterior (as well as the interior), adding wire fencing and signs of such verisimilitude that the locals thought it was being transformed into an ACTUAL asylum. And picketed the site accordingly. Despite the fact that the building was notoriously used as a film-set, and that the sign read ‘Pescadero State Hospital: Criminally Disordered Retention Facility’.

 

Incidentally… If your film features a polymorphous creature capable of taking on the appearance of all it touches, you can save on the special effects by casting people who have twins in key roles. Handily, Linda Hamilton has an identical sister, Leslie, who played the T-1000 Sarah shot in the steel-mill sequence. And Lewis the Pescadero security guard played by Don Stanton, faces his sibling in the T-1000 guise; his twin brother Dan gets to stab him in the eye having morphed out of the floor. (Lewis, incidentally and rather dully, is the name of Dan Stanton’s character in ‘Gremlins 2’.)

It seems Hollywood has a standard command for controlling potentially dangerous movie creatures… In ‘Toys’ (1992), the General tries to stop the ‘rampaging sea creature’ by declaiming “Klaatu, Barada, Nikto”; these were the command for the robot Gort in ‘The Day the Earth Stood Still’ (1951).

 

The Whitehouse scenes in ‘Traffic’ (2000) were shot on the ‘West Wing’ sets, which are almost exact replicas of the presidential interiors (the TV show’s rooms are wider, to accommodate the crew & rigging…). 

 

In ‘Trainspotting’ (1996), Johnny Lee Miller's character of Sick Boy is obsessed with James Bond trivia. Tidily, this one-time Mr Jolie is actually the son of Bernard Lee, who played "M" in the Bond series until 1979.

 

 

The 1969 (U.S.?) TV programme ‘Turn-On’ was cancelled ten minutes into the first show, February 5th, 1969.

 

The TV series ‘24’ (2001), which gives viewers 24 one-hour segments of “real time” in the life of a fraught Kiefer Sutherland & associated others actually only clocks up a maximum of 18 hours of screen-time. Each episode is up to 45 minutes long. That’s “events occur in real time”, but with advert breaks. Diddled…

 

In one school-based episode of the cartoon ‘Two Stupid Dogs’, the eponymous ‘heroes’ of the piece ended up crammed into lockers in a junior-high, whose slim-ankled slack-wearing camp headmaster was called Principal Schneider.

 

HAL, of ‘2001: A Space Odyssey’ (1968) sings ``Daisy'' as he is shut down, which was the first song ever played by a non-mechanical computer.

 

Oh, and the rumour that the film missed out on the ‘68 Best Make-Up Oscar because the judges thought that REAL apes had been used is entirely ridiculous and unfounded. The judges having, you know, eyes. And the brains to operate them. (Though the make-up award actually went to ‘Planet of the Apes’. Which I - snooty child of the ILM Generation - don’t think all that much of...)

 

Our nation’s harrumphing over Hollywood’s bastardisation of the story of the Enigma machine’s capture (ruddy Americans had nowt to do with it) was intended to be slightly appeased by the inclusion of a footnote-type caption into ‘U-571’ (2000); at the film’s end, it is revealed that the machine was captured by the Royal Navy. Of Britain. No Texans anywhere in sight.

 

Robert Englund, the fright-faced Freddy Krueger from the ‘Nightmare On Elm Street’ series, played Wexler in ‘Urban Legend’ (1998), a character who keeps a Krueger puppet in his office. Which can be seen just before the axe is spotted. (What a clue…)

 

In ‘The Usual Suspects’ (1995), Kevin Spacey puts a gun to the head of Gabriel Byrne, and is then asked the time by him. Deja-vu? In ‘See No Evil, Hear No Evil’ (1989), Kevin .Spacey puts a gun to the head of Richard Pryor, and is then asked the time by him.

 

In ‘Velvet Goldmine’ (1998), the massive blow-up poster of Jean Harlow behind Jerry Devine’s desk is actually (supposedly) a drag-queen shot of Eddie Izzard.

 

The dresses worn by Sharon Stone in ‘Basic Instinct’ (1992) were designed to match, scene by scene, those worn by Kim Novak in ‘Vertigo’ (1958).

 

The Presidential campaign slogan in ‘Wag The Dog’ (1997) of ‘Don’t charge horses in midstream’ – found so tiresome by his aides – was actually used by Franklin Roosevelt during World War II. With some success. He got re-elected with it.

 

Michael Douglas (for it is he) gets to savage the shoes of Kathleen Turner in not one but two of their movies. In ‘The War Of The Roses’ (1989), his Oliver Rose character slices the heels from his wife’s shoes, just as he had done in ‘Romancing The Stone’ (1984) as Jack Colton, who got to mutilate Joan Wilder (Turner)’s footwear.

 

‘What’s New Pussycat’ (1965) was banned in Norway. Offence was taken at  the scene where Peter Sellers tries to commit suicide by wrapping himself in a burning Norwegian flag and setting off to his death in a boat. I think Norway was more upset at the profanity to their flag than they were about Inspector Clouseau emulating the noble burial of a Viking warrior.

 

The old lady in the diner who says “I'll have what she's having” after Sally’s fake orgasm in ‘When Harry Met Sally...’ (1989) is Estelle Reiner, the mother of the director, Rob Reiner.

 

The makers of ‘Willow’ (1988) wanted Elora Danan to have a full head of hair. (Not a problem for most actresses. But then, most actresses have all their own teeth too…) The six month-old twins (Kate & Ruth Greenfield) who played Elora were too young to have a thick mane of curly locks. So wigs were provided. Wigs which were attached to the heads with SYRUP, as it was thought that normal wig attachment would be too cruel to the babies’ skin. Syrup though, that’s fine…

 

Attempting to universalise the story (while appeasing Dahl’s UK fans), there are no direct references to the home country of Charlie Bucket or Wonka’s Factory, in ‘Willy Wonka And The Chocolate Factory’ (1971). Clues cannot be garnered from car license plates, TV spots, newspaper titles, or even currency; characters such as Slugworth and the chocolate seller very carefully avoid mentioning exact amounts of money.

 

Richard E. Grant did not actually drink lighter fluid for ‘Withnail & I’ (1987). (He’s not that dedicated an actor / stupid.) In rehearsals, it had been water, but in the take they filmed it was vinegar. (Bruce Robinson was after a more extreme reaction…)

 

Professor Marvel’s coat, in ‘The Wizard of Oz’ (1939), purchased from a second-hand store (because it had the right look of ‘grandeur gone to seed’), had actually been owned by L.Frank Baum. (This story, although confirmed by his tailor and folks on the set, was dismissed as a publicity stunt by cynical press, unwilling to believe in a coincidence of such scale.)

 

Zooming along London’s waterways on his speedboat in ‘The World Is Not Enough’, James Bond soaks two traffic-officer types as they clamp a car. These two are the ‘stars’ of the BBC’s ‘The Clampers’. (THIS is why we can never have an American James Bond.)

 

For her part in the ‘X-Men’ (2000) movie as Mystique, the blue semi-naked shape-shifter, Rebecca Romijn-Thomas had to spend 9 hours in make-up. During filming, even when off the set, she could not drink any alcohol, as it would seep through her pores and cause the scales to stick to her skin. And those yellow contact lenses gave her 10% vision.

 

 The director of the film, Bryan Singer, couldn’t help but give himself a cameo appearance. Which he filmed. (V. cunning, this man.) In the finished film, Singer’s face was digitally mapped onto a policeman (during the station confrontation between Magneto and ‘the pigs’). Singer then found his likeness being marketed as a tie-in policeman doll for the film...

 

Ray Park, the actor with the little-seen face who plays Toad (he was the headless horseman in ‘Sleepy Hollow’ too), retains his Darth Maul fighting skills in this film. In the scene where he knocks Storm down the elevator shaft, he is seen spinning a bar over his head and holding it in an attack position, in a manner most reminiscent of his double-edged light-sabre prowess in ‘Star Wars: Episode I - The Phantom Menace’ (1999).

 

In 1983, Linda Hunt won the Best Supporting Actress Oscar for her portrayal of the male photographer Billy Kwan, in ‘The Year of Living Dangerously’ (1982) – and thus became the first person to be rewarded for trans-gendered acting by the Academy.

 

The Beatles only lent their singing voices to the 1968 cartoon film ‘Yellow Submarine’. Peter Batten, who was providing a speaking voice for George, was arrested for desertion from the Army during the final weeks of production. George’s remaining lines were done by Paul Angelis, who was also the Chief Blue Meanie.

 

Visiting the set of ‘Young Guns’ (1988) and happily enthusing about never having been in a film gunfight, Tom Cruise was included in the film, fuzzed up with facial hair and dressed up as a bad guy, in the pivotal role of a man who walks out of a door and is promptly shot. Evidently jealous, Jon Bon Jovi pops up in the beginning of ‘Young Guns II’ (1990), as a scruffy man who gets shot in the chest and blown backwards after Doc and Chavez hoof it out of the pit jail.

 

Oh, and lastly, if you ever find yourself in trouble with the censors on only one scene of a film, try agreeing to their request, and then sending it back to them unedited. The chances are good that they won’t notice the problem the second time around. This tactic has been known to work for several directors, Hitchcock included. (They complained about a nipple in the shower-scene for ‘Psycho’ (1960). He sent it back unedited. They didn’t complain again.)

 

 

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Last revised: 09/03/02