Showbiz Circle

The entertainment industry is very very weird.

It is also riddled with coincidences and peculiarities.

Here are a few of the A-L ones:

 

A  B  C  D  E  F  G  H  I  J  K  L 

 

 

"What must one do to receive an Oscar?

Play Biblical characters, priests and victims of sad tragic disabilities."

                                                            – Marlene Dietrich

 

 

The (fictional) Benthic Petroleum company who employ the rig workers in James Cameron’s ‘The Abyss’ (1989) also have a place in the director’s ‘Terminator 2’ (1991). Their logo is to be seen on the garage-hideout petrol pumps.

 

‘Almost Famous’ is the first Cameron Crowe film to be lacking an appearance by Eric Stoltz. (He was going to be David Bowie. Fleetingly.) Stoltz was 3rd billing in Crowe’s ‘The Wild Life’ (1984), but also had cameos in ‘Fast Times at Ridgemont High’ (1982), ‘Say Anything’ (1989), as a mime in ‘Singles’ (1992), and ‘Jerry Maguire’ (1996). His name, however, is mentioned in the rock biopic.

 

The town over-run by spiders in ‘Arachnaphobia’ (1990) is called Canaima. This is also the moniker taken by the avenging spirit of the Guyana Indians, and is the name of the Venezuelan location where film begins.

 

The plot of ‘The Astronaut’s Wife’ (1999) is not the only element reminiscent of ‘Rosemary’s Baby’ (1968) – the shorn-blond haircut sported by mother-to-be Charlize Theron is markedly similar to that of Mia Farrow.

 

The chess moves in ‘The Avengers’ (1998) game played by Emma Peel (Thurman) and John Steed (Fiennes) are the same as in the ‘Blade Runner’ (1982) match between Roy Batty and Tyrell. 

 

Mercedes McNab, who plays Harmony on ‘Buffy’ – Spike’s whiny blond Season#4 girlfriend who proved so infuriating a companion he staked her – has also been irritating elsewhere. In ‘The Addams Family’ (1991), she’s an annoying blond girl scout selling cookies (“are they made from real girl scouts?”) at Wednesday & Pugsley’s lemonade stand. And in the film’s 1993 sequel, she’s an annoying blond summer-camper. Who Christina Ricci gets to tie to a stake and burn as the Indian’s revenge segment of their Thanksgiving Celebrations. (There’s an ever-growing theme here…)

 

In ‘The Adventures of Priscilla, Queen of the Desert’ (1994), there’s a prominent poster for the ‘93 movie ‘Frauds’ in the video store. A movie also directed by Stephan Elliot, and also starring Hugo Weaving. Though involving substantially less Pat Butcher eye-shadow.

 

In ‘All the President’s Men’ (1976) Watergate security guard Frank Mills got to play himself.

 

Rather than re-dub or add subtitles to the movie for foreign audiences, the film unit behind ‘Al-Risalah’ (1976) decided to shoot two versions of it. So. Scene-by-scene, an English version - released as ‘The Message’ - and the Arabic version were shot on the same set, by the same crew, using two different sets of actors.

 

While Jasmine’s appearance was based on a combination of Jennifer Connelly and her animator’s sister, in the early drawings for Disney’s Aladdin (1992), the male lead resembled Michael J. Fox. However. Jeffrey Katzenberg, worried that such a hero might not have enough ‘appeal to women’ (how rude to Mickey J), asked that the hero be ‘beefed up’ so as to look more like Tom Cruise. (Who is, like, a real guy. And even though he’s happily married to (um, now dating) someone extremely foxy, is still more likely to be available to his audience for general fornication purposes, than is a two-dimensional character trapped in paints on a animator’s cell. And there’s me thinking we’re supposed to want to see a cartoon for its plot or jokes, not the attractiveness of its stars...) They removed Aladdin’s nipples from the film anyway - a Disney audience wouldn’t want to see nipples - which seems a perplexingly deliberate de-sexualisation of a character they’ve tried to make more sexy.

Oh, and in the film you can alsospot a toy versions of the Beast, Sebastian and Pinocchio – from ‘Beauty and The Beast’ (1991), ‘The Little Mermaid’ (1989) and ‘Pinocchio’ (1940), respectively.

 

An early draft of the 1979 film ‘Alien’ had a male Ripley (urgh), while director Ridley Scott apparently wanted a much darker ending to the film; the alien would bite off Ripley's head in the escape shuttle, sit in her chair, and then start speaking with her voice in a message to Earth. 20th Century Fox wasn't too happy with this plan. Just like they weren’t too happy with some of conceptual artist H. R. Geiger's early designs, which under-went several revisions because of their blatant sexuality: the top of the eggs looked a leetle too much like labia for the comfort of the Powers That Be. That the face of the alien (costume’s) head is made from a real human skull though, oh, that’s fine...

 

Those viewers out there who can – hey – read, might also have noticed that ‘Salako’, the name of the ship in ‘Aliens’ (1986) is the name of the town in Joseph Conrad's book ‘Nostromo’. Whose name was used for the ship in ‘Alien’.

It should also be known that Jeanette Goldstein – who played ‘Aliens’’ Vasquez, had thought the film was to be about ‘illegal aliens’, and so had arrived at the audition with waist long hair and a lot of make-up, only to find everyone else in military fatigues.

 

The improbably proficient basketball shot that Sigourney Weaver makes in ‘Alien: Resurrection’ (1997) – the flip from behind across half the court without even looking – was made by an improbably proficient Sigourney Weaver.

 

The TV movie ‘Alien Attack’ (1976) was entirely made from neatly spliced scenes of two episodes (‘Breakaway’ and ‘War Games’) of ‘Space: 1999’ (1975).

 

The delightful & ever-realistic (ha) film ‘Alligator’ (1980) contains a nice couple of movie-in-jokes about, um, the sewers and their inhabitants. A sewer worker character called Edward Noron from ‘The Honeymooners’ was named as one of the victims on a blackboard seen in the background of a press conference, while graffiti on a sewer-wall reads ‘Harry Lime Lives’, a reference to the ‘The Third Man’ (1949) character who was killed in a sewer.

 

The script for ‘American Pie’ (1999) was submitted to studios under a different moniker to that which we now know & cherish so – screenwriter Adam Herz snappily named it ‘Untitled Teenage Sex Comedy That Can Be Made For Under $10 Million That Most Readers Will Probably Hate But I Think You Will Love’.

 

Long before the part of Patrick Bateman had been cast for the 1999 film adaptation of ‘American Psycho’, Bret Easton Ellis wrote Christian Bale into his novel ‘Glamorama’, as a bit-player Hollywood star of a recurring character.

 

Alan Arkin plays John Cusack’s “Wellness Guide” in ‘America’s Sweethearts’ (2001); in ‘Grosse Pointe Blank’ (1997) he also played Cusack’s therapist.

 

‘Amores Perros’ (2000), unlike most movies (though most don’t linger on dogfighting…), is prefaced with a disclaimer that no animals were harmed in the making of the film.

 

For ‘Apocalypse Now’ (1979), Dennis Hopper had been intended to play Willard's predecessor, but had a part as a crazy photo-journalist written in for him by Coppola when it became apparent that he was ‘too affected by drugs to play a military type’. During filming, Hopper and Coppola often argued over whether it was possible to forget your lines when you didn't learn them in the first place.

 

 In the 1993 TV-movie version of ‘Attack of the 50 Ft. Woman’, the film showing at the drive-in when Nancy goes on her rampage is the 1958 ‘Attack of the 50 Foot Woman’.

 

I’d like to think that if the drivers of the cars on the poster for the original ‘Attack of the 50 Foot Woman’ (1958) are going to die, they’ll die happy, delirious with their view.

 

During rehearsals for ‘Awakenings’ (1990), Robin Williams managed to break Robert De Niro's nose. Accidentally. Of course. (Well I wouldn’t want to break it on purpose. Would you?)

 

The main street in ‘Back to the Future’ (1985) is the same one used for Bedford Falls in ‘Gremlins’ (1984), and the cinema in both films is showing the same movies; ‘A Boy’s Life’, which was the working title for ‘E.T.’ (1982), and ‘Watch The Skies’, the working title for ‘Close Encounters of the Third Kind’ (1977). Their directors, Steven Spielberg, actually pops up in the film as well, playing the part of the pick-up truck driver that gives Marty a lift to school. Huey Lewis - bizarrely - also makes a cameo in the film, as the high-school band judge.

Robert Zemeckis & screenwriter Bob Gale also managed to get one of their long-standing traditions into the script for ‘Back To The Future 2’ (1989) - the two police officers who take Jennifer home are called Reese and Foley, which is what all the two-some’s police or government agents are called.

The ‘Back To The Future’ script never called for Marty to repeatedly bang his head on the gull-wing door of the Delorean - as the door mechanism became progressively more temperamental during filming, this running joke was the improvised result of several headaches. It obviously destroyed a few brain cells in the process - in the inbetween 5 years since filming ‘Back To The Future’ and its sequel, Michael J. Fox managed to forget how to ride a skateboard. But then he still managed, over the course of the two sequels, to play himself, his great(?)-grandfather, his son and his daughter. Wigs and make-up are truly wonderful things.

In ‘Bandits’ (2001) and ‘Sling Blade’ (1996), the characters Billy Bob Thornton plays are both afraid of antique furniture. Billy Bob Thornton really does have a fear of antique furniture. (“I get creeped out and I can't breathe and I can't eat around it. But it's only certain kinds of antique furniture…  I've had friends tell me that maybe I was beaten to death with an antique chair in a former life.”)

 

‘Barney and Friends’, the CTV show which features a suspiciously un-terrifying dinosaur, was denounced, attacked and boycotted by the Ku Klux Klan in 1994. Who were ‘outraged’ that the friendly purple one was played by – SHOCK – a black man. And that he – SHOCK – was beloved of their children.

 

Bob Kane, creator of the original Batman comic strip, was scheduled to make a cameo appearance in the 1989 ‘Batman’ movie, but he couldn't make the shoot. However. The drawing that the newspaper reporter holds up of the ``Bat-Man'' was drawn by Kane. Even sketching from the new cast, the picture is still not entirely Michael Keaton - most shots of Batman in costume show a stunt double instead.

 

In the film’s 1992 sequel, ‘Batman Returns’, Christopher Walken plays a nasty man called Max Schreck – this is the name of the actor who played the vampire lead in ‘Nosferatu, eine Symphonie des Grauens’ (1922). This sequel was branded as ‘anti-Semitic’ by one writer for the ‘New York Times’, because the Penguin, Batman’s nemesis, was seen to have Jewish characteristics. For example… He has a big nose, and likes herrings. (Rather like, um, penguins do.) He was discovered floating down the underground river in a basket, much like Moses was. (The bible says nothing of his parents being circus freaks, however.) And like Christ, he is 33, and carries his umbrella into the graveyard as Christ carried his cross. (Or would have done, had it had more of a stick shape to it.) I personally think that the opinion piece itself was, very probably, the more offensive, and am yet again boggled by the imagination of film critics. (I read one piece in ‘The Face’ magazine which suggested ‘Stuart Little’ endorsed paedophilia. Not, um, fostering.)

 

 

In one scene of the (frankly appalling despite the cast & lingering crotch/bum shots in the opening credits) fourth sequel ‘Batman & Robin’ (1997) of the franchise, Batman and Robin bid against each other for the chance to date Poison Ivy. The credit card Batman wields as his ultimate weapon has an expiration date of ‘FOREVER’.

 

In Alex Garland’s novel, ‘The Beach’, the lead character of Richard simply obsesses over Françoise from afar, she never leaving her boyfriend. In the film, Richard is played by Leonardo DiCaprio. It would have been inconceivable to an audience that he would not get the girl. Particularly when all that was standing in his way was a Frenchman. Pshaw.

 

The title role of ‘Beetlejuice’ (1988) was originally penned for Sammy Davis Jr.

 

…Also, when Barbara and Adam are in their Afterlife case worker's office, through the blinds in the window we can see... Elwood and Jake from ‘The Blues Brothers’ (1980).

 

That LesterCorp is on floor 7½ is discovered 7½ minutes into ‘Being John Malkovich’ (1999).

 

While Kate Chapshaw’s character is waiting in a pick-up truck in the film ‘Best Defense’ (1984), she is humming the theme song from ‘Indiana Jones and the Temple of Doom’ (1984), which is a delightful piece of self-promotion, as she was in that one too.

 

Some of the lightning seen in ‘Big Trouble in Little China’ (1986) forms a Chinese symbol as it disappears, which translates ‘carpenter’. ‘Big Trouble In Little China’ was directed by John Carpenter. This is not a coincidence.

 

The advance poster for Alfred Hitchcock’s ‘The Birds’ (1963) proclaimed ‘THE BIRDS IS COMING!’, which grammatical discordance did much to irritate English teachers the world over.

 

Two Millennium Falcons (seemingly stalking Harrison Ford through time as well as space) appear in ‘Blade Runner’ (1982). The first is in tattoo form, on the forehead of the snake merchant in the street. The second is as a model incorporated into an actual building. It can be seen in the bottom left of the screen, in the scene where Deckard and Gaff approach police headquarters in a spinner.

 

When Richie gets arrested in ‘Blown Away’ (1992), a police radio can be heard announcing the capture of Dr. Richard Kimble from the TV programme ‘The Fugitive’.

 

‘The Blues Brothers’ (1980) holds the world record for the number of cars crashed, far exceeding the 93 cars in the 97 minutes running time of ‘Gone in 60 Seconds’ (1974).

 

The wood-cut in the vampire tome Van Helsing is reading, in ‘Bram Stoker’s Dracula’ (1992), when he realises the identity of his undead enemy is of Vlad Tepes, the 15th-century Impaler prince of Wallachia. This genocidal monarch was also known as Vlad Dracula, meaning Vlad son of Dracul, of the Order of the Dragon.

 

Several of the major battle scenes in ‘Braveheart’ (1995) had to be re-shot, as the extras were clearly & somewhat anachronistically seen to be wearing sunglasses and wristwatches.

 

Some of the cloud footage used in ‘Brazil’ (1985) was left-over stock from ‘The Never Ending Story’ (1985) …just as extraneous footage from Kubrick’s mountain soaring which begins ‘The Shining’ (1980) was used in the dreamy-end to ‘Blade Runner’ (1982) …just as Disney’s ‘Bambi’ (1942) uses some ‘footage’ of woodland animals and a forest fire created for ‘Pinocchio’ (1940) but never used.

 

At the start of ‘The Breakfast Club’ (1985), the photograph of a one-time Shermer High School student ‘Man of the Year’ depicts the janitor’s younger self. And for added realism & general tidiness, the mother and younger sister of Anthony Michael Hall (aka Brian) play his character’s   mother and sister. John Hughes, the director, plays Andrew’s dad; the film was actually partly shot at his old high school in Illinois. The football oval seen at the end is owned by Glenbrook North High School, where Hughes graduated; this school was used as Shermer High in Hughes’ ‘Ferris Bueller’s Day Off’ (1986). The interior scenes of ‘The Breakfast Club’ were shot at the Maine North High School (which has since become the Illinois State Police Station). The library was actually built in the school gym.

The ‘naked blonde walks into a bar…’ joke told by Bender does not have a punchline, by the way. Beyond “I forgot my pencil.” Irritatingly, John Hughes has said that ‘that was the point’.

 

The circus train in ‘A Bug’s Life’ (1998) is made from boxes of Casey Jr. animal crackers. The circus train in ‘Dumbo’ (1941) has the same name.

 

‘Can’t Hardly Wait’ (1998) was supposed to feature Tara Benson as a Stoned Girl. With more to do on screen than simply be intrigued in a banana. Almost all of her scenes hit the cutting room floor. As did ones involving a Drunk Girl so wasted she was unintelligible. The original plan had been for her slurring garble to be subtitled. (But this could be seen as glamorising drinking? Making it Swedish?) Her scenes were cut. And a glass of tequila was digitally changed (in post-production) to be a lemon slice. Thus the film was awarded a PG-13 rating. Phew.

 

 

Oh, and for those folks curious as to the details of William Lichter's scrolling credentials – but not sufficiently interested to watch the film with the Pause facility – here they are:

 Valedictorian, National Merit Scholar, Captain - State Physics Bowl Team, Captain - State Math Olympics Team, State Math Champion, State Spelling Bee Champion, National Human Spirit Award, State Science Fair First Prize, Honor Roll Recipient, Perpetual Motion Award (Space Camp), Soap Box Derby Champion, Eagle Scout, Rotary Club, French Club, Spanish Club, Mandarin Chinese Club, German Club, Dead Romance Languages Club, Large Wooden Club, Math Club, Spelling Bee Club, Debate Team, Computer Club, Brighter Minds Society, Inventors Club, Anti-Athletic Club, Klingon Language Club, Kite Club, WWW.COM Club, Bill Gates Society, Classical Music Club, Stone Cutters, Dungeons and Dragons Club (Founder), Magic The Gathering Club (Founder), Secret Society, Junior Harvard Club (Founder), Megabyte Club, Physics Club, Latin Club, Math Olympics, Academic Decathlon, and Chess Club (…My favourite is the ‘Large Wooden Club’).

Carrie Fisher was originally cast in the title role of Stephen King’s ‘Carrie’ (1976), but refused to do the nude scenes, and eventually swapped roles with Sissy Spacek, who had been cast as Princess Leia in ‘Star Wars’ (1977). Apparently. Spacek then proved so dedicated to the film that she slept in the “pig’s blood” (actually syrup and food colouring) for two nights, so as to minimise continuity errors.

 

The budget for ‘Casablanca’ (1942) was so small they couldn't afford to use a real plane in the background at the airport. Instead, it was a small cardboard cut-out, with midgets to portray the crew preparing it for take-off, so as to give the illusion that the plane was, well, plane-sized.

 

Ever one for thinking ahead, Martin Scorsese planned the ‘head in a vice’ torture scene in ‘Casino’ (1995) as a bargaining chip for the ratings board. He was certain  the MPAA would insist he lose the scene, and that by protesting, the rest of the film’s violent scenes could be retained. But the MPAA made no objection to it. And so the vide scene remained. (The version we see is slightly edited though. Leaving one to wonder how much ‘fun’ the original one was…)

 

In ‘Chaplin’ (1992), Geraldine Chaplin plays her own grandmother.

 

The ‘male’ military band in ‘Chariots of Fire’ (1981) features several women cunningly disguised with false moustaches.

 

In the high-falutin 2000 reworking of ‘Charlie’s Angels’, Drew Barrymore’s character “drops in” on two kids playing video games, in the house where ‘E.T.’ was filmed. (A clue to which is the prominent E.T. poster over the television…)

 

 

Forward-planning and Attention-to-detail awards go to… the production designer (Rat-Face) on ‘Chasing Amy’ (1997) left two tickets clearly sticking out of Jay’s top pocket in his & Silent Bob’s diner scene. Tickets to Illinois, home of ‘The Breakfast Club’, and host state to the start of ‘Dogma’, their next film…

 

Alyssa (Joey Lauren Adams), the whiny-voiced but-I’m-gay! madam from ‘Chasing Amy’, tells Holden (Ben Affleck) that her previous sexual partners include Gwen Turner and Shannon Hamilton. These are characters from Kevin Smith’s ‘Mallrats’ (1995); Gwen was played by Adams, and Shannon by Affleck. Just to complicate / tie-up matters even further, Alyssa’s sisters are Heather – ‘Clerks’ – and Tricia – ‘Mallrats’ – and her best friend is Caitlin Bree, also in ‘Clerks’. Adams was dating the director while this film was being shot, and Kevin Smith’s sister got to play the girlfriend Alyssa takes to the comic convention at the movie’s end. Meanwhile, Jason Lee’s then wife, Carmen Llywellyn, played Kim, a step up from being the poster-girl Silent Bob crashes through in ‘Mallrats’. And possibly also from playing the Scooby Gang’s Daphne in ‘Jay And Silent Bob Strike Back’ (2001). (It’s all just too much for me…)

 

In ‘Christine’ (1983), the filmic adaptation of Stephen King’s fright-night tale of a demonic car, the character of Dennis pulls a copy of Stephen King’s fright-night tale of a demonic car from a library shelf, right before he asks Leigh for a date.

 

‘Citizen Kane’ (1941) contains shots of pterodactyls in flight. Setting off for the beach from Xanadu, what appear to be large birds can be seen flying behind Kane and his entourage; to reduce costs, this background had been montaged in from a science fiction film. Hence the anachronistic flying monstrosities.

 

‘Class’ (1983) is the first movie John and Joan Cusack made together. Since, they’ve also been co-stars in ‘Sixteen Candles’ (1984), ‘Grandview USA’ (1984), ‘Broadcast News’ (1987), ‘Cradle Will Rock’ (1999), ‘High Fidelity’ (2000). In ‘Say Anything’ (1989) and ‘Grosse Pointe Blank’ (1997) they get to play brother and sister. But that isn’t the only 6-degrees-of-thefamily-Cusack connection. Oho no. Their father, Dick Cusack, pops up in ‘Class’ and ‘High Fidelity’ too, as does another of his daughters, Susie. Joan’s dad was in her first film, ‘My Bodyguard’, as the high school principal. Dick was also in John’s ‘Eight Men Out’ (1988), and stars alongside both John and his brother Bill in ‘The Jack Bull’ (1999). But that’s not all. Bill Cusack also appears with John in ‘Elvis Stories’ (1989) as a doctor, as a paramedic in ‘Con Air’ (1997), and as a waiter in ‘Grosse Pointe Blank’, a film which also stars their sister Ann. Ann is also in John’s ‘Midnight In The Garden Of Good And Evil’ (1997), and ‘America’s Sweethearts’ (2001), as Billy Crystal’s assistant. Susie Cusack, one of Charlie’s party guests (& John’s real life sister) in ‘High Fidelity’ also appears with Joan in ‘Accidental Hero’ (1992). An acting family as prolific as the Baldwins, yet infinitely more talented. Marvellous…

 

It cost around $27,000 for Kevin Smith to get the rights to the songs on the ‘Clerks’ (1994) soundtrack, a far higher figure than the entire production cost to film ($22,000ish). This is very much a filmic first. 

 

Prior to the involvement of Stanley Kubrick, Alex and his malenky droogs in ‘A Clockwork Orange’ (1971) were suggested to have been portrayed by mini-skirted young girls, OAPs, and The Rolling Stones.

 

The film (and book) gets its title from the opus which Frank Alexander is working on when Alex and his droogs break into his home, an abbreviation of the phrase ‘Queer As A Clockwork Orange’.

 

The attack on Alexander’s wife was based on an attack on Anthony Burgess' wife by four American GIs during WWII, which caused her to miscarry.

 

 Immediately before Alexander realises Alex’s identity, as he sings to himself in the bath, Kubrick deliberately made continuity errors in the film’s editing; in order to disorientate and unsettle the film’s audience (so as our experience is akin to that of the author), the dishes on the table move around and the level of wine in the glasses change between shots, so as to give a feeling of disorientation to the viewer.

 

It’s Dave Prowse - country yokel body to Darth Vader - who acts as Alexender’s strong-man & nurse in the later part of the film. Though here he really doesn’t have many lines either...

 

 The film, while remaining truer to its source than Kubrick’s (re-) working of ‘The Shining’, leaves out Chapter 21 of the book, which features a maturer Alex deciding on a more stable future. Burgess said of the change: ``A vindication of free will had become an exaltation of the urge to sin. I was worried. The British version of the book shows Alex growing up and putting violence by as a childish toy; Kubrick confessed that he did not know this version: an American, though settled in England, he had followed the only version that Americans were permitted to know. I cursed Eric Swenson [the US publisher] of W. W. Norton.''

 

In ‘Close Encounters of the Third Kind’ (1977), you can see an upside down R2-D2 embedded in part of the large space-ship which flies over Devil's Mountain, included along with a shark from Spielberg’s ‘Jaws’ (1975) because the SFX people needed more detail in the model...

 

Three endings were shot to the big-screen version of Cluedo, Tim Curry’s ‘Clue’ (1985), and a random one shown at each theatre. (You can find all three, apparently, on the video.)

 

Given that Professor Plum works for the World Health Organization, which is a part of the United Nations Organization, as he indicates at dinner, his employers are UNO WHO.

 

Airport scenes in the films ‘Coming to America’ (1988) and ‘Into the Night’ (1985) include a call over the PA system for a ‘Mr Frank Ozkerwitz’ - Frank Oz’s real name - to pick up the white courtesy phone.

Oh, and the bums that pick up Eddie Murphy’s money in this film are the ‘Duke Brothers’ from ‘Trading Places’ (1983) - also directed by John Landis - who were financially ruined by Murphy’s character in that movie.

 

The fake blood in ‘Conan the Barbarian’ (1981) came in the form of a concentrate, which needed to be mixed with water prior to use. Filming in cold weather, the blood would freeze, and so they mixed the concentrate with vodka instead (as it has a far lower freezing point). This proved popular with the actors. For some reason. And in the scenes which called for them to spit the blood, they would swallow it instead, and then go back to the special effects department man for more.

 

The quotes around the word ‘crocodile’ in the title of the film ‘'Crocodile' Dundee’ (1986) were added for the benefit of its the American release, so as people didn't think that Dundee himself was a croc.

 

Sam Raimi’s ‘Crimewave’ (1985) features Odegard-Trend Security – this same outfit is called out to the convenience store in ‘Raising Arizona’ (1987).

 

Each 25 minute episode of ‘Crossroads’ was, for many years, recorded in a single take. With no editing, any mistakes that were made during the end of the shoot would be left in, rather than re-filming.

 

‘The Crow’ (1994) is not usually remembered as a film which features a cameo from a stage-diving Trent Reznor, or one which Cameron Diaz turned down the chance to appear in... but the one where Brandon Lee died in an on-set accident. One scene required a gun to be loaded, cocked, and then pointed at the camera - because it was filmed in close-up, the bullets which were loaded had real brass caps, but no powder. Scene over, the props-master - the arms-master having left the set for the day - dry-fired the gun to get the cock off, and in so doing knocking an empty cartridge into the barrel of the gun. For the next scene filmed with that gun, it was loaded with blanks, which usually contain double or triple the powder of a normal bullet, so as to make a loud noise when fired. The script called for Draven, Lee’s character, to be shot as he entered the set, which would trigger the explosion of a blood pack in the bag of groceries which he was carrying. But. When the gun was fired, the cartridge stuck in the barrel of the gun was blasted at Lee through the bag he was carrying, killing him. The footage of his death was destroyed without being developed.

Lee died before the filming ended, and ‘The Crow’ - which was released in his memory - contains several scenes involving his character which were completed without him. These include:

*  the scene where Draven first enters the apartment after digging himself out of his grave was completed by digitally compsiting footage of Lee walking through an alley in the rain into the set. So as his wet appearance did not seem incongruous, post-production computer manipulation of the footage added drops of water to the door frame.

*  the shot of Draven falling from the window was created by digitally compositing Lee's face, complete with simulated blood, onto a falling body double.

*  the scene where Draven puts on his white make-up was filmed using a double.

*  the shot of Draven walking towards the window with the crow on his shoulder was composed of old footage from another scene, to which a computer-generated crow was added.

*  the scene when Sarah visits the apartment never allows Draven's face to be revealed, as he is being played by a double.

 

The Best Supporting Role By An Item Of Underwear Award, as bestowed by these very pages, is currently tied jointly between Sarah Michelle Gellar for ‘Cruel Intentions’ (1999), and Julia Roberts for ‘Erin Brockovich’ (2000):

 

    

 

‘The Cure For Insomnia’ (1985) is the longest film ever made, clocking in at an astonishing 85 hours. It was intended to ‘reprogram’ the biological clocks of its insomniac viewers, so as they could sleep. Although it features a 4,080 page poem read by its author, L.D. Groban, I don’t believe the intention was to bore viewers to sleep.

 

The dog in ‘The Dambusters’ (1954) was called Nigger. (Except when the film is shown on TV now.) For American audiences in the 50’s – more sensitive to racial abuse than we Brits – his name was overdubbed, and became Trigger. When the dog is referred to in morse code, mind, it is as -. .. --. --. . .-.  (Nigger) not - .-. .. --. --. . .-. (Trigger).

 

Graham Greene, who plays Kicking Bird in ‘Dances With Wolves’ (1990), once used his part as Edgar Montrose in ‘The Red Green Show’ to talk himself up. In one episode, he mentions the movie, and expresses the opinion that Kicking Bird (“the native guy”) should have been given the Oscar.

 

(In order to fully comprehend the next trivia snippet, you must already be aware that ‘Cruel Intentions’ is a teen-rewrite of ‘Les Liasons Dangereuses’. That in itself is not the news.)

In ‘Dangerous Liaisons’ (1988), Swoosie Kurtz plays Madame de Volange, whose daughter is seduced by Valmont. In ‘Cruel Intentions’ (1999), she plays Dr. Greenbaum, whose daughter is seduced by Valmont.

 

One of the press-conference reporters in ‘Dave’ (1993) is from the Clamp Cable Network, which so memorably kept broadcasting while under siege in ‘Gremlins 2: The New Batch’ (1990), using Dracula as an anchorman.

 

‘Dead Man On Campus’ (1998) – like ‘Dead Man’s Curve’ (1998), but with jokes & Alyson Hannigan & substantially less attempted-murder – features TV’s ‘Freaks & Geeks’s Jason Segal (Nick) as the faintly alarming ex-Catholic school-boy room-mate, who soon finds a lovely ex-Catholic school-girl to help with his sexual repression. A school-girl played by his one-time ‘Freaks & Geeks’ girlfriend, Linda Cardellini (Lindsay).

 

‘Deep Blue Sea’ (1999), the film which (as Ed Byrne has noted) included a plot of scientific-experimentation to increase sharks’ brain-size but only a mid-plot realisation that this had caused them to become smarter, contains several nice in-jokes (as further reason to watch the movie over and over…). The license plate which emerges from the shark's mouth is the same one which was found inside the tiger shark in ‘Jaws’ (1975). The sharks are also killed in the same style (and order) as the three jawses; the first is blown up by compressed gas (a la ‘Jaws’ (1975)), the second bites into a electric wire (a la ‘Jaws 2’ (1978)), and the third is bomb-blasted (a la ‘Jaws 3-D’ (1983)). The little orange mini-sub in the wet-entry area is the one used in ‘Sphere’ (1998), which also starred Samuel L. Jackson. And his character is one who spent time in Leavenworth prison for smuggling – this is the jail he tells people he had escaped from in ‘Out Of Sight’ (1998).

 

The only colours used in ‘Dick Tracy’ (1990) are those that the original comic strip appeared in: red, blue, yellow, green, orange, purple, black and white

 

Jay and Silent Bob owe their place in ‘Dogma’ (1999) to John Hughes and a love of Ally Sheedy. But had they researched the setting of ‘The Breakfast Club’ (1985), they might not have been so disappointed when they finally reached Illinois. Even if there is no Shermer High School, the film was shot in Northbrook, which used to be called Shermerville. There’s even a main street called Shermer Road that runs through town. (Just no red-headed girls looking for love, or a high-school in need of a dealer now Bender’s left…)

 

The Japanese office of United Artists initially mis-translated the title of ‘Dr. No’ (1962) as ‘We don't want a doctor’, and though the mistake was discovered at the last minute, they had had posters printed with that title.

 

If you freeze-frame ‘Election (1999) so as to read the newspaper article, you will be confronted with the following text: ‘If you've paused the film in order to read this entire article, your time would be better spent renting Citizen Ruth from your local video store. Do you know how hard it is to write these fake few stories for newspaper movie props? I've got better things to do.’

 

Unlike Julia Roberts in ‘Erin Brokovich’ (2000), who resorted to prominently displaying the cups of her bras in every outfit, the real life eponymous heroine is well enough endowed to make a low-cut top something of a distraction in the work-place. Without the brassiere itself catching the eye. 

 

The U.S. TV series "Emergency" (1972) featured paramedics Gage and Desoto, who sometimes crossed paths with Reed and Malloy from "Adam-12" (1968), at Rampart Hospital.

 

The communicator in ‘E.T. The Extra-Terrestrial’ (1982) actually worked, and was constructed by Henry Feinberg, a man described as ‘an expert in science and technology interpretation for the public’. The triffid in E.T.’s plant collection, cheerily, did not ‘work’…

 

The actor playing the ex-med school pianist in ‘Eyes Wide Shut’ (1999) is Todd Field, who had played a medical-school dropout ten years earlier in ‘Gross Anatomy’ (1989). 

 

In ‘The Faculty’ (1998), the school principal suggests to the other teachers that money could be saved for the drama department by their re-using the set from an earlier performance of ‘Our Town’. This the Thornton Wilder play which has no set.

 

‘Fargo’ (1996) is not based on a true story. The Coen brothers lied… or, to put it another way, chose to  preface their film (a fiction) with another fiction which was believed by an audience trusting of the validity of a type-face promise.

 

For her role in ‘Fargo’, Frances McDormand won the Best Actress Oscar in 1996, and thus became the first person to win for a film which their spouse (Joel Coen) had directed. And which their brother-in-law (Ethan Coen) had produced…

(Other people had previously been up for just such a keep-it-in-the-family Best-Acting Oscar privilege; Gena Rowlands was directed by husband John Cassavetes in ‘A Woman Under the Influence’ (1974), Melina Mercouri by her husband Jules Dassin in ‘Never on Sunday’ (1960), and Julie Andrews by her husband Blake Edwards in ‘Victor, Victoria’ (1982).)

 

‘Fast Times At Ridgemont High’ (1982) is the only film where Nicholas Cage – who plays ‘Brad’s Bud’ is credited under his real name of Nicholas Coppola.

 

The Spanish comedian Angel Garó did every single voice for the Spanish over-dub of the 1992 movie  ‘Ferngully: The Last Rainforest.’

 

It is thought that ‘Ferris Bueller’s Day Off’ (1986) is the first film to have named an actor in the end credits before they have even appeared on screen. Polly Noonan is that very actor. She is seen on the school bus, offering Ed Rooney some sweets, after her name has scrolled upwards. 

 

The driving seat cop waiting at a 23rd century McDonald's eatery in ‘The Fifth Element’ (1997), is played by an actor named Mac McDonald.

 

Archie Leach’s daughter in ‘A Fish Called Wanda’ (1988) is played by Cleese’s actual daughter Cynthia. Who’s no doubt much much nicer to her daddy.

 

The multi-talented Kristin Scott Thomas dubbed her own voice for the French version of ‘Four Weddings and a Funeral’ (1994).

 

Beverly Bonner pops up in ‘Frankenhooker’ (1990) as Casey, a role she also plays in ‘Basket Case’ (1982), ‘Brain Damage’ (1988), and ‘Basket Case 2’ (1999); all four were directed by Frank Henenlotter. The only other film she’s made was ‘Basket Case 3: The Progeny’, in which she plays a Fast Food Manager. Possibly called Casey.

 

Kelsey Grammar has been Emmy-nominated for playing Frasier in three different TV series – ‘Frasier’, ‘Cheers’, and a ‘Wings’ guest appearance. Many of his patients are just as award-friendly. Grammar’s radio-psychiatrist character has given advice to a torrent of celebrities. (None of whom I recognised at the time.) Including; Art Garfunkel, Ben Stiller, Billy Crystal, Carrie Fisher, Cindy Crawford, David Duchovny, Eddie Van Halen, Ed Harris, Elijah Wood, Eric Idle, Eric Stoltz, Gillian Anderson, Gloria Estefan, Jeff Daniels, Joan Allen, Jodie Foster, John Cusack, John Lithgow, John McEnroe, Kevin Bacon, Laura Dern, Lily Tomlin, Linda Hamilton, Macaulay Culkin (and little Kieran), Mary Elizabeth Mastrantonio, Matthew Broderick, Mel Brooks, Ron Howard, Sandra Dee, Shelley Duvall, Tommy Hilfiger, William H. Macy…

 

One of Johnny Depp’s first onscreen roles was in ‘A Nightmare on Elm Street’ (1984), where he was swallowed by his bed (I think - death is certain though). In ‘Freddy's Dead: The Final Nightmare’ (1991) he makes a cameo appearance in a TV commercial.

 

In 1956, for his role in ‘Giant’, James Dean became the first actor to be post-humously nominated for an Oscar. (In the event, however, Yul Brynner won Best Actor for his part in ‘The King And I’…)

 

‘Glen or Glenda’ (1953), Ed Wood’s paen to transvestism, was entirely financed by a Mormon church.

 

Within ‘Glengarry Glen Ross’ (1992), the word ‘shit’ and its derivatives are uttered a neat 50 times, while ‘fuck’ and its derivatives clock in at a mildly astonishing 137 times. In ‘Magnolia’ (1999), ‘fuck’ is used 190 times in a 188 minute film. In ‘Casino’ (1995) meanwhile, ‘fuck’ is uttered 362 times; this (apparently) averages out as 2.05 naughty-swears every minute. ‘Nil By Mouth’ (1997) tops both, however, with ‘fuck’ and its variants spat out at least 470 times; this ups the swear average to 3.9 a minute. (Too much time on your hands, counting-people. There’s always a world just outside of your front door…)

 

It’s a real horse’s head in ‘The Godfather’ (1972). Oh, and in all three films, the presence of an orange indicates imminent carnage, for those eager for a visual Look Away Now pointer.)

 

It might seem as though some of the people crushed by the mutant lizard in ‘Godzilla’ (1998) were simply in the wrong place at the wrong time. But one was killed just for his looks. The extra who dies in his car, when the scaly beast first reaches Manhattan, was cast because of his resemblance to J.D. Lees. The latter, editor of G-Fan magazine, had written nasty things about the film when details were leaked in pre-production. This was the crew’s revenge.

 

The shoes which (an exceedingly hungry) Charlie Chaplin eats in ‘The Gold Rush’ (1925) were made of liquorice. Not leather. (Though maybe if de Niro does a remake…)

 

On ‘Gone With The Wind’ (1939), Vivien Leigh worked for 125 days and received about $25,000. Clark Gable worked for 71 days and received over $120,000. Which more than compensated him for the fact that the script called for him to cry (and him a man!) over his daughter’s death (something which he nearly quit over). His most famous line was also dangerously close to never making the final cut. The Hollywood Production Code, which still had dictatorial powers over what could and could not be said or depicted on screen, took umbrage over the cuss word ‘damn’. Amongst their suggested alternatives for Rhett Butler were: “Frankly my dear... I just don't care,” “...it makes my gorge rise,” “...my indifference is boundless,” “...nothing could interest me less” and (my personal favourite) “...I don't give a hoot,” The film’s producer David O. Selznick eventually elected to pay the $5,000 fine and retain “Frankly my dear, I just don't give a damn.”

 

If you gauge the film’s time-span by Civil Wars battles fought, Melanie (Olivia de Havilland) is pregnant for 21 months.

 

Hattie McDaniel, who played Mammie, was the first African-American to be nominated for an Academy Award – and to win, for Best Supporting Actress – because she was coloured, she was barred from attending the film’s Atlanta premiere.

 

 

In Goodfellas (1990) former U.S. Attorney Edward McDonald gets to play himself, in the scene where Henry and Karen Hill are negotiating their entry into Witness Protection Program. Spider, who wasn’t playing himself, did get to play up to his role in ‘The Sopranos’ almost a decade later. In the film, Michael Imperioli’s character is shot in the foot for being too slow with his drinks-distribution. In the TV show, his character gets to exact the same punishment on a bakery employee  for making him wait.

 

‘Good Girls Go to Paris’ (1939) was originally titled ‘Good Girls Go To Paris, Too’, but the censors objected. Presumably on behalf of their ever so genteel female family members.

 

‘Good Will Hunting’ (1997) is related to ‘Chasing Amy’ (1997) by more’n a co-star. Ben Affleck, who played Holden McNeil in the latter movie, goes for a job interview in the former movie at a company called Holden & McNeil. This would be the same actor who appears in ‘Jay And Silent Bob Strike Back’ (2001) as Holden McNeil, who sends the two lead characters to Hollywood where they meet a frosted-haired Ben Affleck, on set for ‘Good Will Hunting 2’ (and bickering with Matt Damon over ‘Dogma’…)

 

The McCordle estate, which provides the country house setting for ‘Gosford Park’ (2001), was also used in ‘Peter’s Friends’. So Stephen Fry at least will have been alright for directions…

 

Think the long-haired rugged biking star of late-night Ch5 all-action TV show ‘Renegade’ looks familiar? You’d be right. Lorenzo Lamas cut his acting teeth (?) playing Sandy’s grinning jock boyfriend/dolt in ‘Grease’ (1978).

 

‘The Great Escape’ (1963) actor Donald Pleasance was actually a POW during WWII.

 

Fearing for middle-America (who’d had such trouble with that Michael Caine), ‘Gregory’s Girl’ (1981) was re-dubbed with milder Scottish accents before it was released in the U.S.

 

The Inventors Convention scenes in ‘Gremlins’ (1984) contain several cameo appearances, from both humans – George Lucas rides past on a bicycle, and Steven Spielberg is the man in the electric wheelchair with a TV monitor – and from one or two other, um, creations. Such as Robby the Robot, who appears in a phone booth wearing a hat, and talking (about booze!) to the C57-D’s Cookie from ‘Forbidden Planet’ (1956), from which his actual lines are taken. While Mr Peltzer is talking in another booth, the time machine from – hey – ‘The Time Machine’ (1960) can be seen in the background, winding up to full power. The scene cuts to the Peltzer home, and when we return to the Convention end of the conversation, the machine has gone, leaving only a wisp of coloured smoke.

 

Oh, and the Bedford Falls medical man is called Dr. Moreau. Hee-hee.

 

Bill Murray was bitten twice by the groundhog during the filming of ‘Groundhog Day’ (1993). Some might say this was natural retribution for making the creature play second fiddle to Andie MacDowell, a woman so infuriating her voice was dubbed over by Glenn Close in ‘Greystoke’ (1984).

 

The horror ‘Halloween’ (1978) was made with a pitiful budget, which meant the props department were stuck with the cheapest mask they had been able to find in a costume store. What we see on screen is actually a hairless spray-painted ‘William Shatner’, from the movie ‘The Devil’s Rain’ (1975).

 

The apartment owned by Mia Farrow’s character (Hannah) in ‘Hannah and her Sisters’ (1986) was Farrow’s own.

 

Don Most, the former irritant Ralph Malph from ‘Happy Days’, was the voice of extreme irritant Eric (‘Cavalier’) in the ‘83 cartoon classic ‘Dungeons and Dragons’.

 

Exceedingly sharp-eyed viewers of ‘Hard Rock Logo’ (1996) will be gratified to note the Band-Aid clearly visible on Billy Talent's finger. In an earlier film directed by Bruce McDonald, ‘Highway 61’ (1991), characters made a Faustian pact with the devil. In return for their souls, Satan gave them what they desired. And then (bless him) a Band-Aid (for der poorly widdle fingers) – the contracts were signed in blood. Thus neatly implying that Billy sold his soul to Satan so as to achieve fame with Jennifer.

 

‘Harry Potter And The Philosopher’s Stone’ (2001) retains its original title in both the UK and Canada, but in America, the film – as with the book – became ‘Harry Potter and the Sorcerer’s Stone’. Accordingly, every scene which mentioned the “philosopher’s stone” had to be re-recorded with the actors using the word “sorcerer”. Without this change, executives feared they would alienate an overly large section of their potential audience. People who would decide that tales about the most famous boy-wizard in the world were actually concentrating on musty old Aristotle.  And his rocks.

 

One of the Hogwarts portraits is of Anne Boleyn, the second wife of King Henry VIII and the mother of Queen Elizabeth I. Gossip abounded in the 16th century that Anne Boleyn was a witch. (The basis for this was a large mole, rumours of an extra digit, and her bewitching of the King. Though the accusations may easily have been false; Boleyn was an unpopular choice of bride. In 1530 the Abbot of Whitby described her as a ‘common stewed whore.’)

 

The train scenes were filmed at London’s Kings Cross, but platforms 4 and 5 were substituted for Platform 9 ¾. As yet, there have been no reports of concussed children – or adults – lying prone near solid walls on the station concourse.

 

Warwick Davis plays two corporeal parts in the film; Professor Filius Flitwick and the Gringotts Goblin who takes Harry & Hagrid to their vaults. He also voiced the part of Griphook who was physically portrayed by the American actor Verne Troyer. Although he played two characters in televisual Narnia adaptations – Reepicheep in ‘Prince Caspian and the Voyage of the Dawn Treader (1989), and Glimfeather in ‘The Silver Chair’ (1990) – ‘Harry Potter…’ has been his only double-role gig. 
 
Geraldine Somerville plays Lily Potter, one of Hagrid’s old school-mates. Robbie Coltrane’s Fitz, in the TV series ‘Cracker’, was also notably fond of Somerville (as D.S. Jane Penhaligon). 
 
Richard Bremmer, the actor who provided the voice and face for Lord Voldemort, has an end-credits name-check as playing ‘He Who Must Not Be Named’.

 

 

 For the scenes in Gringott’s bank, the makers of ‘Harry Potter and the Philosopher’s Stone’ (2001) ACTUALLY MINTED THEIR OWN MONEY. (As pictured above. The large gold coin is a Galleon, the silver is a Sickle and the goat bronze is a Knut.) This might seem expensive and foolhardy, but I am assured it was a cost-effective venture, considering the numbers of coins that were needed. CGI still being that bit costlier than money itself…

 

In ‘Heathers’ (1989), (once) bosom buddies Veronica Sawyer and Betty Finn are named after other fictional friends; Veronica and Betty from the comic strip ‘Archie’, and Tom Sawyer and Huckleberry Finn.

 

Stan Laurel gives out (what was then) his real home phone-number in ‘Helpmates’ (1932).

 

Conor Macloud, the ‘Highlander’ (1986) lived in the same Scottish castle the Monty Python team used for ‘The Holy Grail’ (1975). The latter film however, made on a somewhat smaller budget (ahem), had Duune Castle double up as Camelot and Swamp Castle (interiors), and Castle Anthrax, the French castle and the opening one (exteriors).

 

The engagement ring worn by Grace Kelly’s character in ‘High Society’ (1956) is the actress’ own, given to her by Prince Rainier of Monaco.

 

In ‘His Girl Friday’ (1940), Cary Grant’s character tries - and fails - to adequately describe the appearance of a character played by Ralph Bellamy, ending up simply saying that he ‘looks like that film actor, Ralph Bellamy’. Grant also refers to a horrible fate suffered by the last man to cross him - one Archie Leach. Which is his own real name. And which is also the name of John Cleese’s character in ‘A Fish Called Wanda’ (1988). Which is nice.

 

The McAllisters’ house in ‘Home Alone’ (1990) was previously seen (occupied by slightly nicer people) in another John Hughes movie, ‘Planes, Trains, and Automobiles’ (1987). There it’s the home of Neal Page (Steve Martin) – he, like Kevin’s mother (Catherine O’Hara), arrived in the company of John Candy. 

 

The Tool Time studio-audience sometimes seen on camera in ‘Home Improvement’ are the show’s actual studio-audience. 

 

Inside the government warehouse in ‘Honey I Blew Up The Kid’ (1992) are stored Rosebud from ‘Citizen Kane’ (1941) and the Ark of the Covenant fought over in ‘Raiders of the Lost Ark’ (1981). 

 

Disregarding the ever-persistent rumour that Michael Jackson appears fleetingly somewhere in ‘Hook’ (1991), a positive I.D. has been made on the pirate shut in the chest with the scorpion - Ms. Glenn Close. And the kissing couple levitating with pixie dust are Carrie Fisher and George Lucas. And it’s Steven Spielberg, the film director, who leads the pirate march on Hook’s ship, proudly bearing Michael’s watch on a pillow. Dustin Hoffman, somewhat unfairly, gets two chances to play a captain in the film – he also provides the voice of the pilot on the Bannings’ plane (“this is your captain speaking…”).

 

Also of note from this film – Julia Roberts had an assistant whose sole responsibility was cleaning her feet, a leetle luxury explained as a necessity because her character Tinkerbell was so often in the air. And who ever heard of a dirty faery? (If they have to touch ground, they’ll only ever land in the washing powder of the same name, you know… Kidding…As though you needed to be told…)

 

In ‘The Wizard Of Oz’ (1939), only when Dorothy got to Oz did the film become one of Glorious Technicolour. In ‘The Horse Whisperer’ (1998), a similar – if less notable – ploy was used. Only when Annie & Grace set out for the lush landscapes of Montana does the film lose its ‘television aspect’ and become a Widescreen affair.

 

‘Hot Shots! Part Deux’ (1993), the savvy political staire which suggests Saddam Hussein likes wearing a bra, features Richard Crenna sending up his ‘Rambo’ role of Colonel Trautman, AND Martin Sheen on a riverboat, a la ‘Apocalypse Now’ (1979). I guess it’s all about connections… (And how good your agent is / how much you love your kids…)

 

Tori Amos wanted to be in ‘Howard The Duck’ (1986).

 

The gargoyles in ‘The Hunchback of Notre Dame’ (1996) are called Victor and Hugo. This, for Disney, is a tribute.

 

$20,000 was spent in the making of ‘The Hunt for Red October’ (1990) JUST on ‘Sean Connery’s hairpiece. (But then Richard E. Grant claims Bruce Willis demanded extra hair be airbrushed onto his balding pate in post-production for ‘Hudson Hawk’, which can’t have been cheap. And on a Willis-riddled train of thought...) The teddy bear that Jack Ryan carries with him on a plane at the very end of the film is the same one that Bruce Willis’ John McClane character is carrying with him on the plane at the start of ‘Die Hard’ (1988), a film which was also directed by John McTiernan. The end credits list him as ‘Stanley (as Himself)’. Triple bless.

 

One of the buildings destroyed in ‘Independence Day’ (1996) is a cinema clearly advertising "Coming Soon: Independence Day".

 

 

In the scene where he chases the tank on horse-back, ‘Indiana Jones and the Last Crusade’ (1989), Harrison Ford found he was unable to keep his hat on, despite the aid of glue, tape, and newspaper wedges, and, according to a Making Of documentary,  eventually just stapled the hat to his head.

 

There are numerous 007 actors popping up in this film. Not only is there a former James Bond (Sean Connery), and a former Bond ally (John Rhys-Davies), but there’s also a former Bond girl (Alison Doody), two former Bond commanding officers (Michael Byrne and Billy J. Mitchell), a former Bond nightclub owner (Vernon Dobtcheff), and three former Bond villains (Julian Glover, Stefan Kalipha and Pat Roach). It also features two previous enemies of Harrison Ford –  Julian Glover (who played Walter Donovan) was in ‘The Empire Strikes Back’ (1980) as General Veers, while Michael Sheard, who played Hitler in ‘The Last Crusade’ was Vader’s Admiral Ozzel. Who you children of the BBC may remember him Mr Bronson from ‘Grange Hill’. (An obvious choice for the 20th Century’s most reviled figure…)

 

…P.S. Indiana is the name of family dog of the director - George Lucas.

 

Chuck Jones, Bugs Bunny’s animator, is in ‘Innerspace’ (1987); in the supermarket queue, he can be seen eating carrots.

 

In the pilot episode of ‘The Invisible Man’ TV series, Fawkes’ doctors include “Baker, McGann, Hartnell, and Troughton”; these surnames belong to four of the actors who have played Dr. Who over the years. 

 

The Hays office tried to delete the words ‘god’, ‘hell’, ‘damn’, and ‘bastard’ from the American release of ‘In Which We Serve’ (1942). There was uproar from England. They backed down, on everything except ‘bastard’.

 

Jack Nicholson’s contract for ‘Ironweed’ (1987) included a clause which allowed him to leave the shooting location to attend all the L.A. Lakers' basketball games.

 

During filming of ‘The Island of Dr. Moreau’ (1996), Marlon Brando wore a small radio-receiver as a prompt for his lines. The director David Thewlis has noted; ‘He'd be in the middle of a scene and suddenly he'd be picking up police messages and Marlon would repeat, `There's a robbery at Woolworths'.’

 

Seth Green, who you may know as Dr Evil’s son Scott from ‘Austin Powers’, was in the lengthy TV-movie adaptation of Stephen King’s ‘It’ (1990), as a little ginger entertainer. The biggest fear of his character is werewolves… fast-forward a decade, and Seth is playing the werewolf Oz on ‘Buffy’…

 

All of Roger Moore's James Bond contracts include an unlimited supply of hand rolled Monte Cristo cigars; for one 007 movie, the cigar bill came to £3,176.50. (Though maybe if he hadn’t been kept quite so happy with this kind of pampering some sort of emotion might have been betrayed in his portrayal of Bond. Maybe.)

 

Pierce Brosnan's contract to play James Bond specifies that until he is replaced, he is not permitted to appear in any other film wearing a tuxedo.

 

Of the fighting skeletons in Tim Burton’s ‘James and the Giant Peach’ (1996), one is of an evil Donald Duck, and another is Jack Skellington, the ‘Nightmare Before Christmas’ (1993) pumpkin king. (And in the latter film, Donald Duck’s ghost appears, as Jack sings ‘This Is Hallowe’en’…)

 

Liz Purr (Charlotte Ayana) in ‘Jawbreaker’ (1999) also had a part in ‘The Rage: Carrie 2’ (1999). Liz Purr’s parents (P.J. Soles & William Katt) both featured in ‘Carrie’ (1976), as Norma & Tommy. Tidy, isn’t it?

 

Apparently, technicians lost control of one of the mechanical sharks used to film ‘Jaws’ (1975), and it was lost at sea. To the intense puzzlement of the aquatic life there. Presumably.

 

   Behold, my favourite self-referential moments in the inordinately self-referential (reverential) ‘Jay And Silent Bob Strike Back’ (2001):

1) Carrie Fisher having a Buddy Christ figurine on her dashboard.

2) The Where-Are-They-Now? File revealing Dante and Randal still working their shitty jobs, Brodie having ditched the chat-show life to run his own comic-book store (Brodie’s Secret Stash!), Trish still way smart (and much more culturally aware’n her sister) and Banky possibly romantically entwined with Hooper.

3) Silent Bob’s Jedi powers finally coming through. And for him to then get to light-saber duel against Mark Hamill. An actor of such importance (and in a disguise so impressive) that he had his very own introductory caption. (Happy happy Kevin Smith…)

4) Shannon Elizabeth (Nadia from ‘American Pie’) playing Jay’s love Justice, and Jay asking Jason Biggs whether he’d ever slept with Shannon Elizabeth…

5) The Baby Silent Bob. The child IS actually Baby Silent Bob. She’s played by the alarmingly-monikered Harley Quinn Smith, daughter of the film’s director & Silent star.

6) The online critic known as ‘Magnolia Fan’, who Kevin Smith gets to kick the shit out of. The (Kevin Smith World) View Askew website's message board was swamped with irate fans of ‘Magnolia’ (1999) after Smith posted a ‘strongly negative review’ of the movie. (Stands to reason such a ‘Magnolia Fan’ would be disparaging about a Jay & Silent Bob project. And that Kevin Smith’d want to kick the shit out of him.)

…Being of a ‘Buffy’ frame of mind, I was also most taken with the appearance of someone else capable of kicking Eliza Dushku’s LittleMsTrouble ass… and that Marc Blucas, Buffy’s dead-wood Season5 boyfriend (and part-time member of the Sunnydale ‘Scooby Gang’), appears in the movie (badly-wigged) as Fred, Daphne’s dead-wood boyfriend. Here his girlfriend was played by Sason Lee’s ex-wife. In the upcoming film version of ‘Scooby Doo’, Sarah Michelle Gellar is playing Daphne. 

 

Filmed on a piffling budget, the makers of ‘Julius Caesar’ (1950) could only afford to hire one horse each day. So. They filmed different coloured horses each day, and then montaged and edited the footage so as to create the seemingly horse-filled battle scenes.

 

In Michael Crichton’s novel ‘Jurassic Park’, the pre-recorded narration playing in the park-tour jeeps was done by Richard Kiley, who was then hired for this very role in the 1992 movie. Also in the novel, but on the silver screen, were the deaths of Ian Malcolm and Dr. Hammond – Jeff Goldbum’s character even survived the film’s 1997 sequel.

 

For the TV-movie-spectacular that was ‘KISS Meets the Phantom of the Park’ (1978), Peter Criss’ voice was dubbed, and so as to allow the film a lower rating (in order to cater for the younger KISS fans), the production team added cartoon-y music to the fight sequences. Rather than cut the fight sequences. Because, as well all know, blood and violence become unrealistic if under-scored with a rollicking tune the likes of which Daffy Duck would be proud...

 

In his initial design sketches for ‘Labyrinth’ (1986), Brian Froud imagined a blond-haired little boy as Sarah’s brother. A baby who looked remarkably like his own son, born months later. Baby Toby  was eventually cast in the role of, um, baby Toby, thus getting to play the part not only in his father’s imagination, but also onscreen.

 

Terry Jones (in a voice only role, for those fearful of ageing Pepperpots) played Sara’s mother in ‘L.A. Story’ (1991).

 

The author John O'Brien, on whose autobiography ‘Leaving Las Vegas’ (1995) was based, committed suicide two weeks after the film went into production - although the director (Mike Figgis) contemplated abandoning the production, it was decided that to film it in his memory would be a better tribute.

 

At the hotel in ‘Léon’ (1994), Mathilda registers herself and her assassin protector as Mr. McGuffin. To Alfred Hitchcock, a McGuffin was something of paramount importance to the film’s characters, but was an incidental plot element to its audience.

 

Monty Python’s ‘The Life Of Brian’ wasn't released in Norway until 1980, because it was deemed blasphemous. This led to it being marketed in Sweden as “The film that is so funny that it was banned in Norway!”

 

‘The Lion King’ (1994)’s James Earl-Jones (King Mufasa) and Madge Sinclair (Queen Sarabi) also played married royalty in ‘Coming To America’ (1988).

 

The tools used by dentist Orin Scrivello in ‘The Little Shop Of Horrors’ (1986) also appears in other Warner Bros. films, including ‘Dead Ringers’ (1988), as Jeremy Irons' gynaecology tools, and in ‘Batman’ (1989), as the Joker's plastic surgeon's tools.

 

 

To reach the heady joys of the M-Z section, click HERE.

 

 

 

Last revised: 09/03/02